I have returned home from seeing Prince Caspian.
And I have to say -- I'm disappointed.
Before I get to my review, I will make my disclaimers in the beginning here. I have spent the last week listening to the AMAZING radio theater productions of the Chronicles of Narnia that Focus on the Family (yes, really, liberal friends) has released. These audio productions are just astonishing -- the books are largely unchanged and are beautifully and movingly dramatized. I am teary through most of it, riveted to my radio and seriously have to stop myself from cheering out loud and running around, panting, it is so good.
(Yes, I'm a dork.)
ANYWAY, that is my recent background and that is my big mistake, I think. For the record, I made the same mistake with Harry Potter 3, reacquainting myself with the book right before the movie. I have learned my lesson now because I sat through the whole movie thinking, "Oh. I wish they hadn't done THAT..." Next time a movie comes out, I won't go anywhere NEAR the book, or an audio version of it, until far after I've seen the movie. I think.
Ok. On to the review.
First the good -- the visuals, of course, are stunning. I loved the beauty of Cair Paravel, the darkness of the Telamarine castle and the disproportionate numbers of Telamarines bearing down upon the Narnians. I thought Aslan (when he FINALLY appeared) was wonderful. The music was great. The actors were very good, I thought, and I really enjoyed the Pevensies in both this film and the last. I did like the roles that Lucy and Susan took in the battle, especially the brave and daring side of Susan. And I liked Edmund through and through.
Now -- onto that which I did not like, and I must add another disclaimer here. For me,
The Chronicles of Narnia are full, nay --
bursting with Christian symbolism. I know there are others out there who prefer to read them without that lens. For me, it is impossible. So -- fair warning -- these are all subjective interpretations. I am not going to go through the rest of the review writing, "in my opinion" and "for me." Please understand that my interpretation is implied. You are free to disagree.
I thought the first movie did an excellent job of portraying Lewis' depiction of a world, full of both life-giving and life-taking magical power, as found in the book,
The Lion, The Witch and the Wardrobe. At the beginning of the book, it is clear that the life-giving power is latent, but it is not forgotten. Aslan is working in the memories of those beasts who are supposed to have denied him on order of the Witch. The arrival of the Pevensies re-awakens that deep knowledge of the life-giving magic, renews the commitment of the faithful, and the struggle to establish Life as the dominant power in Narnia is set forth.
The book
Prince Caspian has an almost identical premise, only this time it is a bit more hopeless. This time, the Magic has been conquered. It has been denied. It has been supressed to the extent that it is now forgotten. Even the trees, which, though they had chosen poorly in
Wardrobe by allying themselves with the White Witch, do not remember that ancient magic that
is the underlying force of their being. Many of the dwarves and beasts do not remember the magical Life Force and those that do find themselves in a constant battle to affirm the reality of Aslan's magic to those who do not believe.
It is into this world that the Pevensies arrive, a year after leaving Narnia the first time. And when they return to Narnia in the book version of
Prince Caspian, they find themselves leaving their old, English selves behind. They return to Narnia and their true selves awaken. Here they are the High King and his Royal Siblings. Here, they are servants of the Son of the Emperor Beyond the Seas. Here, their purpose is noble, valorous, and very much a "high calling." And though they fumble a bit, they are determined from the start to rise to their calling. And so they do.
And this is one of my main gripes with the movie. The characters of the Pevensies are
drastically altered. Peter is fighting at the beginning of the movie. Susan is brooding. They have adapted to their English world NOT by taking with them their identities as Kings and Queens of Narnia, but by wallowing in their frustration about NOT being in Narnia. Since I believe Lewis wrote these partly as instruction for young'uns about how to behave as Christians, you can imagine that I don't agree with that interpretation. I understand WHY it was intperpreted that way -- more about that in a moment -- but I don't agree with it.
Upon their return to Narnia, the Pevensies do not awaken to their noble task and high calling. Instead, Peter blunders about, trying to prove himself and
denying Aslan i.e. "I think we've waited for Aslan long enough" before he makes a disastrous decision about a battle. He is not High King Peter until the final fight and battle scene. Similarly, Susan is sullen and stubborn, allying herself against her brother the High King by siding with Caspian (the argument between Caspian and Peter being another ridiculous thing in my mind). At the end of the movie, we're not surprised that Susan and Peter are not coming back. They've made
huge mistakes; it makes sense that they're not allowed back (which is something that would expressly NOT be implied by Lewis!)
When it comes down to it, I just MISSED the High King! In the book, Peter is valiant and courageous, wise beyond his years, humble, commanding, and faithful to Aslan. Peter was my favorite character in the book. And I think the actor who played Peter could have shown an astounding depth as that character in the film, were he allowed to do so. Alas.
The other thing that I kept longing to see in the movie adaptation was a recognition that The Magic is there, under the surface, perhaps deep under the surface, but there, nonetheless. There is very little wonder and delight in this movie, which contrasts deeply with the book. I desperately wanted to see the trees awake. I wanted to see Lucy sensing that the Magic was about to break forth. The lack of The Magic is most seen in the marked absence of Aslan from the script. I was especially, especially sad to see that they did not make a bigger deal of the four of them coming to see Aslan. In fact, it seemed as though Aslan was an afterthought at best and his appearance is only at the end when all else is lost, all human interventions and contraventions have failed and then he swoops in to do some punishing of the bad guys. Which is probably, sadly, far too close to what many of us really believe about God when it comes right down to it.
And this is where I am, perhaps, most disappointed in the movie. It seems to me as though the movie very carefully removes God from it. The focus is instead on human blunders -- pride, arrogance, and revenge. The lack of direction from Aslan then leaves no room for supernatural Redemption. The humans redeem themselves -- Peter fights Miraz, Caspian lets Miraz go, Caspian establishes a good kingdom, Peter and Caspian reconcile. None of this is credited to Aslan.
This would probably not bother me that much, except that Disney has created a brilliant marketing plan, hand in hand with Focus on the Family, Christian bookstores everywhere, and many churches. If anyone is even remotely awake in the world, they will know that Aslan is written to be the God character in the books. It follows that Aslan is the God character in the movie. What then does this movie say about who God is? What does is say about how God works? What does it say about how we who have been chosen, redeemed, and sent forth by God are to act?
Now. All of that being said -- I understand some, I think, of why this movie was adapted the way it was. It is much more relatable in our current 21st century world to have angst-ridden teenagers be main characters. It makes for a good story to have a very evil king, a conflict among even the good-guys for who gets to make the decisions, and a love story (which just really, really bugged me) between the like-aged girl and boy. Perhaps valor, honor, courage, calling are old-fashioned concepts.
I understand why things were changed, but I emphatically don't agree.
And I think, I would even go so far as to say that these decisions undermine the very essence of
The Chronicles of Narnia. Lewis intended us to read and know that the Magic of the Creator of Life is so great that when one senses it, knows it, is claimed by it, serves it and returns to it, one becomes more than they can EVER,
possibly imagine being on their own without it.
And the only way one can find that in this movie is to put it there oneself.
Just a little opinion.... :) You?
You can tell how thrilled my niece was to see her aunt. My brother in law looks excited, too.
Kalin was especially thrilled to spend time with me.
The brothers in law and my nephew did some conversing with my grandfather and grandmother, great aunt and cousin, and my mom and dad (none of whom got in the pictures, sadly).
Marissa was especially animated, and obviously adoring of her husband. She's like this all the time now that she's married to a good guy. Jake had to keep telling her to tone it down when he was taking our photos. She's just exuberant nowadays. But we love her all the same.
When we got home, we found a little guy who was doing much better. Thank God. 
So headed out to the country for a windy visit to Daddy's farm.
And we enjoyed ourselves thoroughly.
